Tag: reviews and press
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magnus-Opus
Magnus-Opus (Nigel Helyer, Jon Drummond. Australien) Phone users be warned. Each time you dial a number, you have performed a musical piece and may have infringed the international copyright of the composers.
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ISEA2004
ISEA 2004 Layers of Performance By by Stanislav Roudavski People play with “the algorithmically controlled quadraphonic soundscape and its visual manifestations” in Sonic Spaces, an installation by Shawn Pinchback. Photographs by Stanislav Roudavski. Aboard flight 18.45, London – Helsinki, people scan each other for the happy signs of genius. And no wonder. According to the…
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Crosstalk kahn
Architecture does sound Douglas Kahn The cross talk of the title no doubt refers to the way sounds from the different pieces ‘bleed’ (ouch!) into one another when placed in close proximity. Often, in exhibitions involving sound, ‘cross’ could apply to the antagonism of competing sounds, but here there is no anger, no claims staked,…
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Echigo Tsumari
Echigo-Tsumari Triennial 2003, Japan The recent Documenta 11 and 50th Venice Biennale exhibitions spawned a plethora of critical articles intensifying debate round the phenomenon of globalism – on the one hand the global rise and rise of large-scale biennale/triennale exhibitions, on the other globalism as both curatorial theme and format of these exhibitions.
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mowson
Education feature: training the sound artist A thrilling sono-cranial re-wire Bruce Mowson Nigel Helyer (see interview), whose sound sculpture Meta-Diva won the 2002 Helen Lempriere National Sculpture Award, questioned whether there were any courses in Australia which allowed for the study of sound in proper depth, responded by asking “Is there anywhere that teaches [among…
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Nigel Helyer’s Silent Forest by Doug Kahn
This essay is a version of the exhibition catalogue for Silent Forest shown at the San Francisco Art Institute as part of SoundCulture96. As a recent transplant to Australia, I welcomed the opportunity to write about this work, to introduce it to the city where I have spent much of my adult life. In framing…