Category: interactive new media

  • Oracle

    Oracle

    Sculptural installation with multi-channel audio and video components. Exhibited. The Museum of Contemporary Art, Sydney 1995 as part of the “Sound in Space” National Sound Art Survey exhibition. Materials. Timber, audio-visual electronics, low frequency audio drivers. Dimension. x4 units @ 3m x 2m x 3m. Installation footprint 10m x 8m x 3m. Videotext. Single channel…

  • Naughty Apartment

    Naughty Apartment

    Exhibited. RMIT project Gallery, Melbourne 2003 as part of “House of the Future” + The Moores Building Fremantle as part of the Biennale of Electronic Arts Perth 2004. + The Performance Space as part of “What Survives” 2006. Medium. Interactive Sound-Sculpture – plastics, metal and audio-electronics. Notes ~ Fictionalising Fiction!. In the beginning; As a…

  • Haiku

    Haiku

    Exhibited. Boutwell Draper Gallery, Sydney 2003. Materials. Stainless steel, Aluminium, Audio and Solar electronics. Dimensions. Footprint variable, each unit 300m dia. x 3.5m. Notes. Haiku is a multi-part solar-powered environmental sound sculpture that distributes a series of traditional Japanese poems via miniature digital audio storage units operated by solar timers.  Haiku is illustrated whilst installed…

  • Silent Forest

    Silent Forest

    A multi-source sound installation in two parts + accompanying radio broadcast. Exhibited. San Francisco Art Institute as part of SoundCulture 96. National Gallery of Victoria in Contempora 5 (acquired for the NGV Collection) 1997. Casuala PowerHouse in the Nam Bang exhibition 2009. Materials – Siren section (x4 suspended units). Aluminium, perforated zinc, rigging wire, audio…

  • Ariel

    Ariel

    Exhibited. Lux Gallery, London UK 2000 and Australian Centre for Photography, Melbourne 2000. Materials. Laser cut acrylic, copper wire, Theremin electronics. Dimensions. Footprint variable, individual units 0.75m x 0.6m dia. Notes. Be nor afeared; the isle is full of noises, Sounds and sweet airs that give delight and hurt not. Sometimes a thousand twangling instruments…